Osbourne Ruddock (aka King Tubby) is one of the best admired abstracts of reggae ability and is still advised its arch assembly technician. His innovations in dub are able-bodied documented, and admirers brainstorm endlessly about what he ability accept able had his activity not been tragically cut abbreviate in 1989. His Waterhouse flat gave a alpha to endless musicians, producers and engineers, including King Jammy and Hopeton Brown (aka Scientist). When Tubby’s above apprentice, Jammy, capitalized on a Casio MT-40 preset and fabricated “Sleng Teng”, Tubby enlisted the aforementioned keyboardist: Noel Davey. Together with ascent brilliant Anthony Red Rose and Steve Monk, they wrote a cast new agreement they called “Tempo”. The addition appearance the King Tubby brand of vocals commutual with a stripped-down bassline. “Sleng Teng” was the prototype, but “Tempo” has the adept reminding the apprentice who’s boss. Of course, the “Tempo” accent became so big that King Jammy fabricated his own adaptation of it.
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